Stan Douglas has been selected to represent Canada at the 59th Venice Biennale in 2022. Somehow, the work’s proliferating images instead prompt a sense of disorientation which perhaps echoes the experiences of the film’s protagonists as they weather the throes of revolution.A sense of social transition is equally present in the photographic work that comprises the second half of the exhibition. Film and art have been inseparably linked since the invention of the medium of film. Access more artwork lots and estimated & realized auction prices on MutualArt. Conclusions are withheld from the viewer, however, even as multiple viewpoints tantalisingly suggest the possibility of privileged access to the truths of a complex situation. ICA University of Pennsylvania, Philadelphia. Stan Douglas: SPLICING BLOCK was on view at the Julia Stoschek Collection, Berlin, in 2019-2020. All general enquiries should be sent to  info@victoria-miro.com. The Julia Stoschek Collection Berlin presents an exhibition of works by the renowned Canadian artist Stan Douglas (*1960, Vancouver). Auguststraße 69 D-10117 Berlin T +49 (0)30 24 34 59 70 F +49 (0)30 24 34 59 99 Newsletter. The exhibition, held as part of Yebisu International Festival for Art & Alternative Visions (7–23 February 2020) considers notions of time as explored in art and imaging. The artist's second solo show with Victoria Miro and his first at our new Mayfair gallery. Stan Douglas . Douglas intentionally heightens the viewer’s feeling of displacement through a continual sense of reversal and mirroring, both in the form and content of his installation. He will represent Canada at La Biennale di Venezia in 2021. 1. Victoria Miro does not accept unsolicited artist applications. Douglas’ massive stitched-together … ', 'Beneath the film’s retro-futuristic veneer and vibrant passages of colour – a stylistic nod to avant-garde cinema – lies a pressing message for our times.'. Jointly acquired by PAMM and the Los Angeles County Museum of Art, this film depicts a fictitious band of professional musicians at the famed CBS 30th Street Studio in 1970s New York City. Opening of the exhibition Stan Douglas, SPLICING BLOCK ... Vancouver) in Berlin. The Berlin architectural office Kuehn Malvezzi was responsible for the conversion into an exhibition house. The exhibition, held as part of Yebisu International Festival for Art & Alternative Visions (7–23 February 2020) considers notions of time as explored in art and imaging. 16 Wharf RoadLondon N1 7RWt: 44 (0)20 7336 8109. Stan Douglas: Doppelgänger 31st January–14th March 2020 Victoria Miro, 16 Wharf Road, London N1 7RW. Stan Douglas: Splicing Block opens at the Julia Stoschek Collection, Berlin The exhibition (1 November 2019–1 March 2020) examines the relationship between music and society, and is at the same time a reflection on the media of film and photography. Berlin Biennale. Stan Douglas: Splicing Block opens at the Julia Stoschek Collection, Berlin The exhibition (1 November 2019–1 March 2020) examines the relationship between music and society, and is at the same time a reflection on the media of film and photography. It marks Doppelgänger's debut in Asia. Victoria Miro is delighted to present new works by Chantal Joffe. Contact. 'The plot wittily hinges on a phrase that reads differently depending on where you’re sitting: the Marxian LIVE REIFIED TIME or, in reverse, the satanic EMIT DEIFIER EVIL.'. I don’t know for sure, but that was my suspicion. office@berlinbiennale.de. Since the late 1980s, Stan Douglas has created films and photographs – and more recently theatre productions and other multidisciplinary projects – that investigate the parameters of their medium. The installation Onomatopoeia, included in the National Gallery of Canada's centennial exhibition Songs of Experience(1986), brought him new attention. Then, Alice and her ship, the Hermes II, for unknown reasons, return. Dwyer has been producing work for exhibition since the early 1980s, developing a career in installation and sculptural work. You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. ... (German Federal Cultural Foundation) and organized by KUNST-WERKE BERLIN e. V. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. The exhibition (19 January – 18 March 2018) is a synthesis of video art, documentary and music videos from American and European artists. Accompanied by an artist’s book with a new text by Olivia Laing, Story features a number of paintings of... Victoria Miro is delighted to announce an exhibition of new works by Idris Khan. Through this visual tension, he effectively redirects focus to a basic human level – foregrounding how new rules and relationships are forged in such liminal moments and evoking a range of emotions through subtle visual cues. View Malecón (2004) By Stan Douglas; C-print mounted on honeycomb aluminium; 47 7/8 x 92 7/8 in; Signed; Edition. 'Douglas… reveals that beneath a media reporting – which is prone to quick headlines and opportunistic characterizations – an event leaves traces that can be reassembled and rethought. Conceived of as two distinct installations, each a reflection on aspects of the past year, The... Victoria Miro is delighted to be a member of Reprieve Collective and participate in Reprieve x Vortic with an exhibition of works by Hernan Bas, Kudzanai-Violet Hwami, Doron Langberg, Grayson... Before contacting or subscribing please read our. In the two-channel video, an astronaut and her doppelgänger are sent to two different planets; one is welcomed, and the other is treated as a potential foe. A survey of his work, Stan Douglas: Mise en scène, toured Europe from 2013 until the end of … But it’s a good start. Facebook. The foundation presents an exhibition (18 October 2016 - 29 January 2017) of Douglas' work, as the 2016 Hasselblad Award winner. We respect the choices you make about how you would like to hear from us. Recent venues for solo exhibitions include Julia Stoschek Collection, Berlin (until 1 March 2020); MUDAM, Luxembourg (2018–2019); the Hasselblad Center, Gothenburg (2016); Pérez Art Museum Miami, Florida (2016); Salzburger Kunstverein, Salzburg, Austria (2016); WIELS, Centre d’Art Contemporain, Brussels (2015); Museu Coleçäo Berardo, Lisbon (2015); Fruitmarket Gallery, Edinburgh (2014-2015); Carré d’Art - Musée d’Art Contemporain, Nîmes (2013, solo, travelling to Haus der Kunst, Munich, 2014; Nikolaj Kunsthal, Copenhagen, 2015 and Irish Museum of Modern Art, Dublin, 2015); Minneapolis Institute of Arts, Minnesota (2013) and the Moscow Photobiennale 2013. Career. Elmgreen & Dragset, Kehinde Wiley and Stan Douglas unveil installations at New York’s Moynihan Station Midcentury modern living rooms that have stood the test of time Coworking 2.0: what does the future hold for coworking spaces? An old-fashioned player piano is combined with projected images of disused tools, weaving machines and their punch-cards (so much like player-piano rolls). Penn Station’s new Moynihan Train Hall, opened today, is only a gateway to a rail system that needs major investment and repair. His works often take their points of departure in local settings, from which broader issues can be identified. It marks Doppelgänger's debut in Asia. David Binder, “U.S., in Message to Lisbon, Says Move Left is a Danger to NATO,” The New York Times, March 27, 1975, p. 2, cited in Pedro Lapa, History and Interregnum: Three Works by Stan Douglas (Lisbon and Berlin: Berardo Museum Collection and Archive Books, 2015), 30. Since the late 1980s, Stan Douglas has been creating films, photographs, and installations, as well as recently venturing into theater productions and other multidisciplinary projects, … Sieverding graduated in 2007 with an MFA from the Berlin University of the Arts where she studied under Stan Douglas, Ellen Cantor, Dieter Appelt, Sabeth Buchmann, and Katja Diefenbach.In 2002, she attended the Carnegie Mellon University in Pittsburgh, Pennsylvania and in 2005 the Surikov Art Institute in Moscow.. Work. The exhibition Splicing Block examines the relationship between music and society in addition to a reflection on film and... Read more » This is so subtly conveyed in Canadian artist Stan Douglas’s Luanda-Kinshasa…', "Douglas has long been fascinated by periods of sociopolitical resistance as visualized in their special sites, artistic results, and people.". Canadian artist Stan Douglas staged hundreds of people dressed in early 20th century clothing to recreate historic scenes from the original Penn Station, like the arrival of Black labor organizer Angelo Herndon in 1934. He reenacts historical moments of tension that connect local histories to broader social movements of struggle and utopian aspiration. Following Public Art Fund's recent unveiling of his permanent art commission at the new Moynihan Train Hall, artist Stan Douglas will discuss his captivating site-specific work Penn Station’s Half Century in a virtual artist talk on January 28th. In Midcentury Studio, Douglas' first exhibition with Victoria Miro, monochrome photographs were created in... Victoria Miro is pleased to announce the first gallery exhibition of Canadian artist Stan Douglas. Saturated with information, and yet rejecting easily consumable messages, these works place the viewer within the charged atmospheres and ambiguous political and social intricacies of 1970s Portugal and postwar Vancouver, respectively. Douglas's multidisciplinary works, including films, photographs and, more recently, theatre productions, reflect on the dynamic potential embedded in pivotal historical moments. 'I can’t predict the future, so in a way, my science fiction – like everything else, like historical things – is an allegory of the present.'. Douglas often explores what he calls ‘speculative histories’, picturing pivotal moments when events in the world might have taken a very different turn. Instagram. Victoria Miro is pleased to present Doppelgänger, a video installation by Stan Douglas. Venice: Tuesday–Saturday: 10am–1pm & 2–6pm. Field Guide, the inaugural exhibition at the new Remai Modern art museum, rethinks the idea of 'modern' from multiple cultural, geographic, historic and contemporary perspectives. Where The Secret Agent is made in the mould of the classic Hollywood thriller, these works borrow from film noir, a genre that reflected the tough-talking nihilism and veiled anxieties of a generation traumatised by war and which has served as an enduring source of inspiration for Douglas.The darkly hyperreal quality of these images is the result of digital rendering – a means of image-making foreign to both the naked eye and the camera lens, which departs from logics of documentary accuracy even as it makes possible an almost hallucinatory sharpness of detail. Rappu is a brutalist sushi joint in Singapore This bright Berlin loft is all about colour and shape Hasselblad Foundation, Gothenburg Museum of Art, Sweden, '....Indeed, if there is a theme to this wonderfully various show, it is the resurgence of history in the present. Part of the Centre Pompidou's 40th anniversary celebrations, this exhibition (6 October 2017 – 14 January 2018) features Douglas' Hors-Champs, 1992. Since the 1980s, Stan Douglas has been creating films, photographs, and installations exploring the parameters of their respective mediums. Before contacting or subscribing please read our Privacy Policy. Displayed on two square-format, translucent screens, each of which can be viewed from both sides, the looped narrative unfolds in side-by-side vignettes that depict events on worlds that are light years apart. Stan Douglas was born in Vancouver in 1960. Art Previews; EXHIBITIONS; Tags. Virtual Talk: Stan Douglas. Alice assumes her mission has failed and she has somehow returned home; but she has, in fact, arrived at a world where everything, from writing to the rotation of the sun, is literally the reverse of what she once knew. A tension between revolution’s brief suspension of apparently unshakeable historical frameworks, and subsequent attempts to appropriate these moments of potential transformation, lies at the heart of The Secret Agent. We respect the choices you make about how you would like to hear from us. Intercut with quasi-abstract passages of colour and light, which nod both to avant-garde cinema as well as the history of space exploration, Doppelgänger presents a nuanced and layered parable that powerfully addresses the slippery notion of objective truth, and the position of the ‘other’ in contemporary society. We are also closed on Sundays, Mondays and public holidays. In Douglas’ Hors-champs, 1992 (on view 18 January–23 February 2019), a quartet of musicians—Kent Carter, Douglas Ewart, Oliver Johnson, and George Lewis—perform Albert Ayler’s Spirits Rejoice. A survey of his recent work, Stan Douglas: Mise en scène, traveled Europe from 2013 until the end of 2015. Stan Douglas 31 Jan — 14 Mar 2020 at the Victoria Miro Gallery in London, United Kingdom The exhibition (27 June–26 August 2018) brings together works by seminal figures from the photographic and photojournalistic world, alongside rare archive images. ', 'Beneath the film’s retro-futuristic veneer and vibrant passages of colour – a stylistic nod to avant-garde cinema – lies a pressing message for our times.'. You will find links at the bottom of all emails we send from our mailing list which allow you to Update your preferences to change the way we contact you, or Unsubscribe if you want to opt out. Stan Douglas, the Canadian video artist and photographer, likes to think about when things go awry. The accompanying Beethoven sonata (played b… Using cinema techniques, Douglas creates emotionally intense experiences that draw the viewer into the psychologies of his subjects as well as the social, political and historical landscapes they inhabit. Stan Douglas (Vancouver, 1960) creates a work whose purpose is to provide the viewer with a multiple experience, with the objective of igniting a critical attitude about culture and the means of creation and distribution of so-called "cultural events". Gothique, Absent, Obsolète, Double – la méthodologie de Stan Douglas Il est très important de comprendre le choix d'un conte du début du 19 ème siècle par Stan Douglas. His ongoing inquiry into technology’s role in image-making, and how those mediations infiltrate and shape collective memory, has resulted in works that are at once specific in their historical and cultural references and broadly accessible. When one spacecraft embarks on its journey, another is launched at the same time in a parallel reality. A black man in a city where there are few black people, Douglas uses that feeling of being different to influence his work. These panoramic mise-en-scènes first appeared in Helen Lawrence, a groundbreaking cinematic theatre production that plunged into the seedy underbelly of the immediate postwar period in North America, before what the artist describes as ‘the sudden call to order and morality’ of peacetime had fully taken hold. See available photographs, prints and multiples, and paintings for sale and learn about the artist. Debuted at  La Biennale di Venezia, 58th International Art Exhibition, May You Live in Interesting Times, this ambitious work is exhibited for the first time in the UK. Stan Douglas * 1960 in Vancouver, CA. ', 'The streets are these arteries where the people, the police and objects are all interacting…It’s not focusing on mayhem and that fascinates me.'. Conceived of as two distinct installations, each a reflection on aspects of the past year, The... Victoria Miro is delighted to be a member of Reprieve Collective and participate in Reprieve x Vortic with an exhibition of works by Hernan Bas, Kudzanai-Violet Hwami, Doron Langberg, Grayson... Before contacting or subscribing please read our. Presented in … 'The plot wittily hinges on a phrase that reads differently depending on where you’re sitting: the Marxian LIVE REIFIED TIME or, in reverse, the satanic EMIT DEIFIER EVIL.'. Characteristic of Douglas’ sensitivity to the nuanced dynamics of public and private memory in its subtle blending of historical fact, meticulous reconstruction, and fictive source material, this immersive six-screen work implies the latent impact of unresolved past moments on the present, and even on our sense of futurity. Accompanied by an artist’s book with a new text by Olivia Laing, Story features a number of paintings of... Victoria Miro is delighted to announce an exhibition of new works by Idris Khan. Projected simultaneously on opposite sides of the same screen, Douglas’ installation considers the Black musical traditions (blues, gospel, etc) embedded into Ayler’s composition. This major exhibition (2 May – 14 October 2018) tells the intertwined stories of photography and abstract art. 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